About Robert A. Schaefer, Jr.
44 East 21st Street
Apartment 2R
New York, NY 10010-7220 USA
Telephone: 1-212-420-1499
Facsimile: 1-718-624-7329
E-mail: rasjrpro@earthlink.net
| Robert A. Schaefer
Jr. was born in the teeny, tiny town of Cullman, Alabama which is between
Birmingham and Huntsville. In 1975 he received his BA of Architecture
Degree from Auburn University. Then he moved to Munich, Germany where
he studied photography, architecture and theatre at the Technische Universitaet
in Munich and graduated in 1978 with a MA of Architecture (Diplom Ingenieur
Architekt). During this time he became a part of the Joerg Walter Koch
Gallery in Munich and the Ufficio dell Arte Gallery in Paris, France where
his photography was put into the permanent collection of the Bibliotheque
Nationale. Exhibitions during this time included Amerika Hauses (cultural
part of the American Embassy) in Munich, Hamburg, Hannover and Frankfurt;
Kulturhaus in Graz, Austria where he was exhibited with David Hockney
and Institut Francais in Munich.
In 1981 Schaefer moved to New York City where he still lives and photographs. From November 1997 to January 1998 he had a one-person-exhibition at the Aroma Gallery in Berlin, Germany. Titled "Berlin Blau" it contained Schaefer's newest direction of Photo Giclee. All images were scanned into a computer from a 2 1/4" x 3 1/4" cyanotype image of Berlin and printed out on canvas in sizes of 16" x 20" and 30" x 40". "Berlin Blau" was published in "brennpunkt" a magazine dedicated to the art of photography and published in Berlin. Robert Schaefer's photography is found in the private collections of Kofi Annan Secretary General to the United Nations; W. M. Hunt, Photography Director of the Ricco/Maresca Gallery, Ben Fernandez, photographer, Arthur Tress, photographer, Anita Chernewski, Photographer and Peter Hay Halpert, Contributing Editor to American Photographer; public collections of Philip Morris, Inc. in NYC and the Birmingham and Huntsville Museums in Alabama. In 1999 the newly built Huntsville Museum of Art hosted the exhibition: "Robert A. Schaefer, Jr. - 25 Years of Photography." During this time the AGNES Gallery in Birmingham, AL. had a one-person exhibition of Schaefer's work, as well as the Barbara Ann Levy Gallery in New York City. In 2000 he was part of a group exhibition "Art On The Line Comes Inside" at the Main Line Art Center in the greater Philadelphia Area. In 2001 Apple Macintosh invited Schaefer to put together a series of lectures for fine artpPhotographers for their New York Office. He invited five other photographers to help him present "Darkroom to Digital" or how photographers can use Apple Macintosh to create fine art photography. After the World Trade Center Disaster, my cyanotype image of the WTC (# 0378) was put into the now traveling exhibition "Here Is New York." (Type in 0378) In January of 2002 the Chamot Gallery in Jersey City, NJ exhibitedSchaefer's new portraits in an exhibition called "Facelifts" which received a very positive article in New Jersery's "Star Ledger." In June of 2002 a new book came out: Photography's Antiquarian Avant-garde; written by Lyle Rexer and published by Abrams, it features one of Schaefer's cyanotypes. In September of 2002 Schaefer began teaching photography classes in self-promotion at New York University as well as The New School. One of his speakers for these classes was his own gallerist Charles Chamot who in August of 2003 hosted an exhibition of Schaefer's students from both universities. Titled "Fresh Eyes-Emerging Photographers, " it provided many of the students their very first exhibition which had a very well-attended opening, sales and an article in New Jersey's "Star Ledger." A new art magazine "Epiphany" sponsored by New York University opened its first hard-cover issue which included Schaefer's images with a launch party on March 25, 2004 in New York City. In February of this 2005, Robert exhibited cyanotypes of city-scapes in an exhibition titled "City Blues" at the Silver Eye Gallery in Pittsburgh, PA. His project Two Sides of the Coin which deals with his German heritage and The Holocaust were shown for the first time at Gallery DeFrog in Houston, Texas in March and April 2006 during Fotofest and extended through May by popular demand. An article was written about this exhibition by Judith Farber for the on-line magazine Double Exposure. In 2006, Schaefer attended the Darfur Rally in Washington DC and shot film footage to add to Two Sides of the Coin which points out that even in remembering the Holocaust, genocide continues today in Bosnia, Rwanda and the Sudan. Two of his images were auctioned off in Los Angeles and New York to make money for The Aftermath Project. The Museum of Fine Arts in Montgomery, Alabama exhibited Schaefer's documentary project about a North Alabama farmer Joe Culpepper in "Portrait of An Alabama Farm" from November 10, 2007 to Januray 6, 2008. (Schaefer gave a gallery talk about the project at the Musuem on December 1, 2007). In 2009, Robert Schaefer's large giclees made from scanned cyanotypes were exhited at Windows on Columbus in Jesery City, NJ from September to February 2010. Two of his cyanotypes as well as a large giclee from the "Portrait of An Alabama Farm" series were shown at the Mishkin Gallery (part of Baruch College) September 16 - October 14, 2009. Schaefer's cyanotypes were in a group exhibition of Alternative Process at the Watchung Arts Center, Watchung, NJ, January 3 - 30, 2010. In November of this year, the Goethe Institute in Delhi India will host an exhibition "Architectural Blue - Cyanotypes of India and Germany," which are cyanotypes made from the images Schaefer made on his trip to India in 2009 as well as cyanotypes made from some the images he took in Germany. There will be another exhibiton during this time at the Government Museum in Chandigarh, India sponsored by the Goethe Center there. It will consist of cyanotypes made from images Schaefer took of the Le Corbusier government buildings in Chandigarh, India as well as cyanotypes from some of his images taken in Germany. Both exhibitions are being curated by Schaefer's good friend Elizabeth Rogers who in a native New Yorker living in Delhi. She will also edit the catalogue being produced for both exhibitions as well as design and oversee the invitation and posters also being printed for the shows. The Goethe-Institut is flying Robert Schaefer over to speak at both openings (Chandigarh: November 11th and Delhi: November 17th) as well as give a workshop on cyanotype printing in both cities. AwardsRobert Schaefer's work was selected by Vicki Goldberg for an exhibition in Annapolis, Maryland; Peter McGill for an exhibition in Toledo, Ohio; and Cornell Capa for an exhibition in Poughkeepsie, New York. He was also the recipient of a Special Opportunity Stipend (SOS) Award from the New York Foundation for the Arts and the East End Arts Council in Riverhead, New York (Long Island's NorthShore). The money received from this grant paid for the invitations of an exhibition he had at the OysterPond's Historical Society in Orient on Long Island's NorthFork. For his SOS Grant he was sent letters of congratulations by State Senator Kenneth LaValle and Representative George S. Hochbrueckner. Robert was selected as a finalist by Photographer's Forum Magazine (Serbin Publishing) and one of his images was included in their Best of Photographer Issue in 1996.
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